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Painting:: all still life --> Style:: decoration
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Artist: Renard Emile

Vanitas
Painting ID::  62372
52 x 44 cm Mus?e des Beaux-Arts, Marseille The artist specialized in complex 'Vanitas' pieces of dramatic clarity. The general influence on his art is Netherlandish, and it is likely that his unsigned pictures are still classified under the Northern schools. Most of his pictures are dominated by a grisly skull surrounded by numerous other indications of the brevity of life. He was received into the French Academy in 1663 as a portraitist

Artist: unknow artist

Antigua Altar
Painting ID::  62418
1545-62 Polychrome wood Cathedral, Valladolid Juan de Juni received the commission for the Antigua altarpiece in 1545 and he finished it in 1562. (It was installed in Valladolid Cathedral in 1922.) Juni tried to produce a classical work in an architectural framework - the firt he ever used. Taken separately, the Corinthian columns, entablatures, and niches are based on the classical Italian arrangement, but the general organization, the relationship between the different parts, the proportions of the niches, and above all the importance given to sculpture are closer to Mannerism

Artist: Johan Christian Dahl

Interior with decoration
Painting ID::  62425
1739-64 - Benedictine Abbey, Ottobeuren The most grandiose of the monasteries rebuilt in Germany in the eighteenth century is the Benedictine Monastery of Ottobeuren near the frontier between Swabia and Bavaria; several architect (Simpert Kraemer, Joseph Effner, Johann Michael Fischer) worked on it and it was completed with all the buildings originally projected. The innumerable statues (mainly by Johann Josef Christian), ornamental motifs (by Johann Michael Feuchtmayr), and paintings (ceiling frescoes by Johann Jakob Zeiller) in the church join together rhythmically in that symphonic unity to which the Germans have given the name 'Gesamtkunstwerk.' The huge monastery, of which the church forms a part, is a kind of summing up of German Rococo. Author: CHRISTIAN, Johann Josef Title: Interior with decoration , 1751-1800 , German Form: sculpture , interior

Artist: unknow artist

Tabernacle
Painting ID::  62429
1283 Marble Santa Cecilia in Trastevere, Rome The tabernacle on the altar of Santa Cecilia in Trastevere seems to be complete in its state of conservation. According to a recently discovered inscription, it was made by Arnolfo di Cambio in 1293. It forms part of the final moment of an ample and consistent effort at restoration of the entire decorative system of the church of Santa Cecilia, which included the well-known Cavallini frescoes, the liturgical furnishings, and sculptural ornament. The obvious Gothic 'Rayonnant' character of this revision has recently been attributed to the patronage of a French cardinal, while the direction of the whole project has been attributed to Arnolfo, who, working in the last decades of the thirteenth century in the service of the major families, the new preaching orders, and the popes, without a shadow of doubt dominated the panorama of the most innovative Roman trends in the artistic field. The tabernacle repeats the structural complex and decorative scheme of the San Paolo fuori le Mura tabernacle but simplifies and strengthens the Gothic forms, creating a new proportional balance between the parts and revoking the concept of the whole in light of a more mature assimilation of the classical references. With respect to his first interpretation in Rayonnant taste, here Arnolfo reduced and redirected the ascending elements of the base of the cupola and the pendentives of the crown, and in addition attenuated the vertical soaring of the four gables and the trefoil arcades of the baldacchino, but created a notable development in the height of the supporting columns, to which he also added the original solution of cube-shaped dosserets, decorated with Cosmatesque mosaic. Author: ARNOLFO DI CAMBIO Title: Tabernacle , 1251-1300 , Italian Form: sculpture , religious

Artist: unknow artist

Annunciation
Painting ID::  63008
1482 Fresco Loggia del Comune, Collegiata, San Gimignano The detail shows the lectern, reminiscent of Flemish still-lifes. Artist: MAINARDI, Bastiano Painting Title: Annunciation (detail) , 1451-1500 Painting Style: Italian , , still-life

Artist: PANNINI, Giovanni Paolo

Interior of the San Giovanni in Laterano in Rome
Painting ID::  63837
Oil on canvas, 74 x 100 cm Pushkin Museum, MoscowArtist:PANNINI, Giovanni Paolo Title: Interior of the San Giovanni in Laterano in Rome Painted in 1701-1750 , Italian - - painting : interior

Artist: skagen museum

fra den brondumske spisesal
Painting ID::  64550
se

Artist: skagens museum

den brondumske spisesal
Painting ID::  64551
se

Artist: unknow artist

Still-Life with Books
Painting ID::  64561
1628 Oil on wood, 61,3 x 97,4 c, Alte Pinakothek, Munich In the university city of Leiden a special variety of the still-life occurs: the still-lifes with books representing the infinite quantity of knowledge included in the books. The piles of old, well-used books signal the vanity of the scholarly life. Artist:UNKNOWN MASTER, Dutch Title: Still-Life with Books, 1601-1650, Dutch , painting , still-life

Artist: Michael Ancher

den brodumske spisesal i skagens museum
Painting ID::  64579

Artist: simon luttichuys

tillskriven
Painting ID::  64756
stilleben med kranium ca 1635-1640 muzeum narodowe w gdansku, gdansk se

Artist: unknown artist

Cognoscenti in a Room hung with Pictures
Painting ID::  66241
Oil on wood 95.9 x 123.5 cm c. 1620

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Painting:: still life --> Style:: decoration
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