Adriaen van der werff
Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics

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Adriaen van der werff Flora with Putti Strewing Flowers oil painting


Flora with Putti Strewing Flowers
1696 Oil on canvas cjr
Painting ID::  76432
Adriaen van der werff
Flora with Putti Strewing Flowers
1696 Oil on canvas cjr
   
   
     

Adriaen van der werff Portrait of Anna Maria Luisa de' Medici, Electress Palatine oil painting


Portrait of Anna Maria Luisa de' Medici, Electress Palatine
ca. 1701 cjr
Painting ID::  77992
Adriaen van der werff
Portrait of Anna Maria Luisa de' Medici, Electress Palatine
ca. 1701 cjr
   
   
     

Adriaen van der werff Flora with Putti Strewing Flowers oil painting


Flora with Putti Strewing Flowers
1696 Medium Oil on canvas Dimensions N/A (original: 290 x 195 cm) cyf
Painting ID::  78282
Adriaen van der werff
Flora with Putti Strewing Flowers
1696 Medium Oil on canvas Dimensions N/A (original: 290 x 195 cm) cyf
   
   
     

Adriaen van der werff Sarah Bringing Hagar to Abraham oil painting


Sarah Bringing Hagar to Abraham
Date 1696(1696) Medium Oil on canvas Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in). cjr
Painting ID::  83799
Adriaen van der werff
Sarah Bringing Hagar to Abraham
Date 1696(1696) Medium Oil on canvas Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in). cjr
   
   
     

Adriaen van der werff Sarah presenting Hagar to Abraham. oil painting


Sarah presenting Hagar to Abraham.
Date 1699(1699) Medium Oil on canvas Dimensions Height: 76.3 cm (30 in). Width: 61 cm (24 in). cjr
Painting ID::  84695
Adriaen van der werff
Sarah presenting Hagar to Abraham.
Date 1699(1699) Medium Oil on canvas Dimensions Height: 76.3 cm (30 in). Width: 61 cm (24 in). cjr
   
   
     

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     Adriaen van der werff
     Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics

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