Adriaen van der werff
Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics

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Adriaen van der werff Elisabeth Dierquens oil painting


Elisabeth Dierquens
1694 Medium oil on canvas Dimensions 48 X 40 cm (18.9 X 15.7 in) cjr
Painting ID::  92906
Adriaen van der werff
Elisabeth Dierquens
1694 Medium oil on canvas Dimensions 48 X 40 cm (18.9 X 15.7 in) cjr
   
   
     

Adriaen van der werff A nymph dancing before a shepherd playing a flute. oil painting


A nymph dancing before a shepherd playing a flute.
1718 Medium oil on panel Dimensions 44 X 33 cm (17.3 X 13 in) cjr
Painting ID::  93173
Adriaen van der werff
A nymph dancing before a shepherd playing a flute.
1718 Medium oil on panel Dimensions 44 X 33 cm (17.3 X 13 in) cjr
   
   
     

Adriaen van der werff Adam and Eve. oil painting


Adam and Eve.
between 1674(1674) and 1722(1722) Medium oil on panel Dimensions 45 X 35.5 cm (17.7 X 14 in) cjr
Painting ID::  93174
Adriaen van der werff
Adam and Eve.
between 1674(1674) and 1722(1722) Medium oil on panel Dimensions 45 X 35.5 cm (17.7 X 14 in) cjr
   
   
     

Adriaen van der werff Lot and his daughters. oil painting


Lot and his daughters.
1711(1711) Medium oil on panel Dimensions Height: 45 cm (17.7 in). Width: 35 cm (13.8 in). cjr
Painting ID::  93606
Adriaen van der werff
Lot and his daughters.
1711(1711) Medium oil on panel Dimensions Height: 45 cm (17.7 in). Width: 35 cm (13.8 in). cjr
   
   
     

Adriaen van der werff portrait of his wife Margaretha van Rees and their daughter Maria oil painting


portrait of his wife Margaretha van Rees and their daughter Maria
1699(1699) Medium oil on canvas mounted on panel cyf
Painting ID::  96560
Adriaen van der werff
portrait of his wife Margaretha van Rees and their daughter Maria
1699(1699) Medium oil on canvas mounted on panel cyf
   
   
     

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     Adriaen van der werff
     Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics

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