Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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Albrecht Altdorfer Die Anbetung der Heiligen Drei Konige oil painting


Die Anbetung der Heiligen Drei Konige
Oil on wood Dimensions Deutsch: 108,5 x 78 cm cyf
Painting ID::  77991
Albrecht Altdorfer
Die Anbetung der Heiligen Drei Konige
Oil on wood Dimensions Deutsch: 108,5 x 78 cm cyf
   
   
     

Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, rechter Innenflugel zur Passion Christi, Szenen: Kreuzigung, Detail oil painting


Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, rechter Innenflugel zur Passion Christi, Szenen: Kreuzigung, Detail
c. 1509-1516 Oil on panel cjr
Painting ID::  78114
Albrecht Altdorfer
Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, rechter Innenflugel zur Passion Christi, Szenen: Kreuzigung, Detail
c. 1509-1516 Oil on panel cjr
   
   
     

Albrecht Altdorfer Sebastiansaltar des Augustiner oil painting


Sebastiansaltar des Augustiner
Deutsch: um 1509 - 1516 English: c. 1509 - 1516 cyf
Painting ID::  78274
Albrecht Altdorfer
Sebastiansaltar des Augustiner
Deutsch: um 1509 - 1516 English: c. 1509 - 1516 cyf
   
   
     

Albrecht Altdorfer Mary with the Child oil painting


Mary with the Child
between 1520(1520) and 1525(1525) Medium wood Dimensions Width: 35.5 cm (14 in). Height: 49.4 cm (19.4 in). cyf
Painting ID::  78438
Albrecht Altdorfer
Mary with the Child
between 1520(1520) and 1525(1525) Medium wood Dimensions Width: 35.5 cm (14 in). Height: 49.4 cm (19.4 in). cyf
   
   
     

Albrecht Altdorfer Heilige Familie mit einem Engel oil painting


Heilige Familie mit einem Engel
1515(1515) Oil on wood 22,5 x 20,5 cm cjr
Painting ID::  78473
Albrecht Altdorfer
Heilige Familie mit einem Engel
1515(1515) Oil on wood 22,5 x 20,5 cm cjr
   
   
     

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     Albrecht Altdorfer
     German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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