Andrea del Sarto
b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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Andrea del Sarto Holy Family oil painting


Holy Family
1520(1520) Medium Oil on wood cyf
Painting ID::  81395
Andrea del Sarto
Holy Family
1520(1520) Medium Oil on wood cyf
   
   
     

Andrea del Sarto Opferung Isaaks oil painting


Opferung Isaaks
. 1527(1527) Medium Oil on panel Dimensions 213 x 159 cm cyf
Painting ID::  81697
Andrea del Sarto
Opferung Isaaks
. 1527(1527) Medium Oil on panel Dimensions 213 x 159 cm cyf
   
   
     

Andrea del Sarto Maria mit Kind und Johannesknaben oil painting


Maria mit Kind und Johannesknaben
54 x 46 cm late 16th century / early 17th century cjr
Painting ID::  82292
Andrea del Sarto
Maria mit Kind und Johannesknaben
54 x 46 cm late 16th century / early 17th century cjr
   
   
     

Andrea del Sarto Madonna delle Arpie oil painting


Madonna delle Arpie
1517(1517) Medium Oil on panel cyf
Painting ID::  82416
Andrea del Sarto
Madonna delle Arpie
1517(1517) Medium Oil on panel cyf
   
   
     

Andrea del Sarto Portrat eines jungen Mannes oil painting


Portrat eines jungen Mannes
English: after 1510 Medium Oil on canvas Dimensions Deutsch: 72 x 57 cm cyf
Painting ID::  82474
Andrea del Sarto
Portrat eines jungen Mannes
English: after 1510 Medium Oil on canvas Dimensions Deutsch: 72 x 57 cm cyf
   
   
     

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     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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