BACCHIACCA
Italian Painter, 1494-1557 Francesco Bacchiacca (1494 - 1557) was a Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style. Bacchiacca was born in Borgo San Lorenzo, near Florence. He was also known as Bachiacca or Bacchiacca, Francesco d'Ubertino Verdi or Francesco Ubertini. He initially was a craftsman in an atelier of possibly Pietro Perugino. In 1523, he participated with Franciabigio and Jacopo Pontormo in the decoration of the camera of Giovanni Benintendi. He mainly worked in small cabinet pieces, or designs for tapestries. Sogliani's Deposition, a theme commonly addressed by many Florentine artists, is addressed in a cartoonish form.
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BACCHIACCA Deposition fff oil painting


Deposition fff
c. 1518 Oil on wood, 93 x 71 cm Galleria degli Uffizi, Florence
Painting ID::  4886 		BACCHIACCA
Deposition fff
c. 1518 Oil on wood, 93 x 71 cm Galleria degli Uffizi, Florence
   
   
     
BACCHIACCA Madonna with Child, St Elisabeth and the Infant St John the Baptist oil painting


Madonna with Child, St Elisabeth and the Infant St John the Baptist
1530s Oil on wood, 60 x 50,5 cm Christian Museum, Esztergom
Painting ID::  4887 		BACCHIACCA
Madonna with Child, St Elisabeth and the Infant St John the Baptist
1530s Oil on wood, 60 x 50,5 cm Christian Museum, Esztergom
   
   
     
BACCHIACCA The Preaching of Saint John the Baptist (detail) hhh oil painting


The Preaching of Saint John the Baptist (detail) hhh
c. 1520 Oil on wood Museum of Fine Arts, Budapest
Painting ID::  4888 		BACCHIACCA
The Preaching of Saint John the Baptist (detail) hhh
c. 1520 Oil on wood Museum of Fine Arts, Budapest
   
   
     
BACCHIACCA BACICCIO gg oil painting


BACICCIO gg
Italian painter, born in Genoa (Giovanni Battista Gaulli) and active mainly in Rome, where he settled in 1657 and became a prot??g?? of Bernini. He achieved success as a painter of altarpieces and portraits (he painted each of the seven popes from Alexander VII to Clement XI), but is remembered mainly for his decorative work and above all for his Adoration of the Name of Jesus (1674-9) on the ceiling of the nave of the Gesu. This is one of the supreme masterpieces of illusionistic decoration, ranking alongside Pozzo's slightly later ceiling in S. Ignazio. The stucco figures that are so brilliantly combined with the painted decoration (from the ground it is not always possible to tell which is which) are the work of Bernini's pupil Antonio Raggi (1624-86).
Painting ID::  4889 		BACCHIACCA
BACICCIO gg
Italian painter, born in Genoa (Giovanni Battista Gaulli) and active mainly in Rome, where he settled in 1657 and became a prot??g?? of Bernini. He achieved success as a painter of altarpieces and portraits (he painted each of the seven popes from Alexander VII to Clement XI), but is remembered mainly for his decorative work and above all for his Adoration of the Name of Jesus (1674-9) on the ceiling of the nave of the Gesu. This is one of the supreme masterpieces of illusionistic decoration, ranking alongside Pozzo's slightly later ceiling in S. Ignazio. The stucco figures that are so brilliantly combined with the painted decoration (from the ground it is not always possible to tell which is which) are the work of Bernini's pupil Antonio Raggi (1624-86).
   
   
     
BACCHIACCA Apotheosis of the Franciscan Order ff oil painting


Apotheosis of the Franciscan Order ff
1707 Fresco Basilica Santi XII Apostoli, Rome
Painting ID::  4890 		BACCHIACCA
Apotheosis of the Franciscan Order ff
1707 Fresco Basilica Santi XII Apostoli, Rome
   
   
     
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     BACCHIACCA
     Italian Painter, 1494-1557 Francesco Bacchiacca (1494 - 1557) was a Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style. Bacchiacca was born in Borgo San Lorenzo, near Florence. He was also known as Bachiacca or Bacchiacca, Francesco d'Ubertino Verdi or Francesco Ubertini. He initially was a craftsman in an atelier of possibly Pietro Perugino. In 1523, he participated with Franciabigio and Jacopo Pontormo in the decoration of the camera of Giovanni Benintendi. He mainly worked in small cabinet pieces, or designs for tapestries. Sogliani's Deposition, a theme commonly addressed by many Florentine artists, is addressed in a cartoonish form.

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