BRAMANTE
Italian High Renaissance Architect and Painter, 1444-1514 In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations. Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.

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BRAMANTE Louis Stanislas Xavier, comte de Provence oil painting


Louis Stanislas Xavier, comte de Provence
Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille. cyf
Painting ID::  79282
BRAMANTE
Louis Stanislas Xavier, comte de Provence
Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille. cyf
   
   
     

BRAMANTE Abraham DavelAbraham Davel oil painting


Abraham DavelAbraham Davel
Execution of major en:Abraham DavelAbraham Davel. Reproduction of a painting by Charles Gleyre, oil on canvas, 1850. On display at Morges military museum. cjr
Painting ID::  80017
BRAMANTE
Abraham DavelAbraham Davel
Execution of major en:Abraham DavelAbraham Davel. Reproduction of a painting by Charles Gleyre, oil on canvas, 1850. On display at Morges military museum. cjr
   
   
     

BRAMANTE comte de Provence oil painting


comte de Provence
Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille. cyf
Painting ID::  80074
BRAMANTE
comte de Provence
Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille. cyf
   
   
     

BRAMANTE Death of Joseph Bara oil painting


Death of Joseph Bara
Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9. cyf
Painting ID::  80076
BRAMANTE
Death of Joseph Bara
Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9. cyf
   
   
     

BRAMANTE Portrait of mister de Courcy oil painting


Portrait of mister de Courcy
oil on canvas, 1816. Accession number D.44.988.04. Date cyf
Painting ID::  82720
BRAMANTE
Portrait of mister de Courcy
oil on canvas, 1816. Accession number D.44.988.04. Date cyf
   
   
     

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     BRAMANTE
     Italian High Renaissance Architect and Painter, 1444-1514 In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations. Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.

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