BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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BRONZINO, Agnolo Portrait of a Young Girl fdtd oil painting


Portrait of a Young Girl fdtd
1541-45 Oil on wood, 58 x 46,5 cm Galleria degli Uffizi, Florence
Painting ID::  5415
BRONZINO, Agnolo
Portrait of a Young Girl fdtd
1541-45 Oil on wood, 58 x 46,5 cm Galleria degli Uffizi, Florence
   
   
     

BRONZINO, Agnolo St Mark fg oil painting


St Mark fg
c. 1525 Oil on wood Cappella Capponi, Santa Felicit??, Florence
Painting ID::  5416
BRONZINO, Agnolo
St Mark fg
c. 1525 Oil on wood Cappella Capponi, Santa Felicit??, Florence
   
   
     

BRONZINO, Agnolo St Matthew fd oil painting


St Matthew fd
c. 1525 Oil on wood Cappella Capponi, Santa Felicit??, Florence
Painting ID::  5417
BRONZINO, Agnolo
St Matthew fd
c. 1525 Oil on wood Cappella Capponi, Santa Felicit??, Florence
   
   
     

BRONZINO, Agnolo Adoration of the Shepherds sdf oil painting


Adoration of the Shepherds sdf
1535-40 Oil on wood, 65,3 x 46,7 cm Museum of Fine Arts, Budapest
Painting ID::  5418
BRONZINO, Agnolo
Adoration of the Shepherds sdf
1535-40 Oil on wood, 65,3 x 46,7 cm Museum of Fine Arts, Budapest
   
   
     

BRONZINO, Agnolo Adoration of the Shepherds (detail)  f oil painting


Adoration of the Shepherds (detail) f
1535-40 Oil on wood Museum of Fine Arts, Budapest
Painting ID::  5419
BRONZINO, Agnolo
Adoration of the Shepherds (detail) f
1535-40 Oil on wood Museum of Fine Arts, Budapest
   
   
     

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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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