BROUWER, Adriaen
Flemish Baroque Era Painter, ca.1605-1638 Adriaen Brouwer (1605, Oudenaarde - January 1638, Antwerp) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631 ?C 1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic (illustrated right) is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave, but, upon instigation of the members of the guild, was reburied on Feb 1, 1638 in the church of the Carmelites.

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BROUWER, Adriaen The Operation (mk08) oil painting


The Operation (mk08)
Oil on panel 34.1x39.6cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
Painting ID::  21733
BROUWER, Adriaen
The Operation (mk08)
Oil on panel 34.1x39.6cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
   
   
     

BROUWER, Adriaen Peasants Smoking and Drinking (mk08) oil painting


Peasants Smoking and Drinking (mk08)
c.1635 Oil on panel, 35x26cm Munich,Bayerisch Staatsgemlaesammlun-gen,Alte Pinakothek
Painting ID::  21735
BROUWER, Adriaen
Peasants Smoking and Drinking (mk08)
c.1635 Oil on panel, 35x26cm Munich,Bayerisch Staatsgemlaesammlun-gen,Alte Pinakothek
   
   
     

BROUWER, Adriaen The 0peration oil painting


The 0peration
mk86 undated Oil on panel 31.4x39.6cm Munich,Bayerische Staatgemalde-sammlungen,Alte Pinakothek
Painting ID::  33701
BROUWER, Adriaen
The 0peration
mk86 undated Oil on panel 31.4x39.6cm Munich,Bayerische Staatgemalde-sammlungen,Alte Pinakothek
   
   
     

BROUWER, Adriaen Peasants Smoking and Drinking oil painting


Peasants Smoking and Drinking
mk86 c.1635 Oil on panel 35x26cm Munich,Bayerische Staatsgemaldesammlum-gen, Alte Pinakothek
Painting ID::  33702
BROUWER, Adriaen
Peasants Smoking and Drinking
mk86 c.1635 Oil on panel 35x26cm Munich,Bayerische Staatsgemaldesammlum-gen, Alte Pinakothek
   
   
     

BROUWER, Adriaen Card players quarrelling oil painting


Card players quarrelling
mk101 Oil on panel 31.1x49.4cm
Painting ID::  35351
BROUWER, Adriaen
Card players quarrelling
mk101 Oil on panel 31.1x49.4cm
   
   
     

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     BROUWER, Adriaen
     Flemish Baroque Era Painter, ca.1605-1638 Adriaen Brouwer (1605, Oudenaarde - January 1638, Antwerp) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631 ?C 1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic (illustrated right) is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave, but, upon instigation of the members of the guild, was reburied on Feb 1, 1638 in the church of the Carmelites.

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