Brown, Ford Madox
English Pre-Raphaelite Painter, 1821-1893 English painter and designer. The son of a retired ship's purser who had settled at Calais, Brown received an academic training under Albert Gregorius (1774-1853) at Bruges, under Pieter van Hanselaere (1786-1862) at Ghent and under Baron Gustaf Wappers at the Academie in Antwerp (1837-9). He moved to Paris in 1840, married the following year and studied independently of the ateliers,
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Brown, Ford Madox The Finding of Don Juan by Haidee oil painting


The Finding of Don Juan by Haidee
1878.
Painting ID::  18883 		Brown, Ford Madox
The Finding of Don Juan by Haidee
1878.
   
   
     
Brown, Ford Madox The Last of England oil painting


The Last of England
1852-55, Tate Gallery, London
Painting ID::  18882 		Brown, Ford Madox
The Last of England
1852-55, Tate Gallery, London
   
   
     
Brown, Ford Madox Wycliffe Reading his Translation of the New Testament to his Protector- John of Gaunt oil painting


Wycliffe Reading his Translation of the New Testament to his Protector- John of Gaunt
1847-48
Painting ID::  18879 		Brown, Ford Madox
Wycliffe Reading his Translation of the New Testament to his Protector- John of Gaunt
1847-48
   
   
     
Brown, Ford Madox Christ Washing Peter's Feet oil painting


Christ Washing Peter's Feet
detail of Christ, 1848-49
Painting ID::  18880 		Brown, Ford Madox
Christ Washing Peter's Feet
detail of Christ, 1848-49
   
   
     
Brown, Ford Madox The Pretty Baa-Lambs oil painting


The Pretty Baa-Lambs
detail, approx. 1852
Painting ID::  18881 		Brown, Ford Madox
The Pretty Baa-Lambs
detail, approx. 1852
   
   
     
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     Brown, Ford Madox
     English Pre-Raphaelite Painter, 1821-1893 English painter and designer. The son of a retired ship's purser who had settled at Calais, Brown received an academic training under Albert Gregorius (1774-1853) at Bruges, under Pieter van Hanselaere (1786-1862) at Ghent and under Baron Gustaf Wappers at the Academie in Antwerp (1837-9). He moved to Paris in 1840, married the following year and studied independently of the ateliers,

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