CARRACCI, Annibale
Italian Baroque Era Painter, 1560-1609 Painter, draughtsman and printmaker, brother of Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style.

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CARRACCI, Annibale Domine quo vadis df oil painting


Domine quo vadis df
1601-02 Oil on panel, 77,4 x 56,3 cm National Gallery, London
Painting ID::  5928
CARRACCI, Annibale
Domine quo vadis df
1601-02 Oil on panel, 77,4 x 56,3 cm National Gallery, London
   
   
     

CARRACCI, Annibale Rest on Flight into Egypt ff oil painting


Rest on Flight into Egypt ff
c. 1600 Oil on canvas, diameter 82,5 cm The Hermitage, St. Petersburg
Painting ID::  5929
CARRACCI, Annibale
Rest on Flight into Egypt ff
c. 1600 Oil on canvas, diameter 82,5 cm The Hermitage, St. Petersburg
   
   
     

CARRACCI, Annibale Self-Portrait in Profile sdf oil painting


Self-Portrait in Profile sdf
1590s Oil on canvas Galleria degli Uffizi, Florence
Painting ID::  5930
CARRACCI, Annibale
Self-Portrait in Profile sdf
1590s Oil on canvas Galleria degli Uffizi, Florence
   
   
     

CARRACCI, Annibale Self-portrait dfg oil painting


Self-portrait dfg
c. 1604 Oil on wood, 42 x 30 cm The Hermitage, St. Petersburg
Painting ID::  5931
CARRACCI, Annibale
Self-portrait dfg
c. 1604 Oil on wood, 42 x 30 cm The Hermitage, St. Petersburg
   
   
     

CARRACCI, Annibale The Martyrdom of St Stephen vcd oil painting


The Martyrdom of St Stephen vcd
1603-04 Oil on canvas, 51 x 68 cm Mus??e du Louvre, Paris
Painting ID::  5932
CARRACCI, Annibale
The Martyrdom of St Stephen vcd
1603-04 Oil on canvas, 51 x 68 cm Mus??e du Louvre, Paris
   
   
     

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     CARRACCI, Annibale
     Italian Baroque Era Painter, 1560-1609 Painter, draughtsman and printmaker, brother of Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style.

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