Carl Spitzweg
German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

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Carl Spitzweg Der Hagestolz oil painting


Der Hagestolz
oil on panel Dimensions 38.2 X 46 cm cyf
Painting ID::  96971
Carl Spitzweg
Der Hagestolz
oil on panel Dimensions 38.2 X 46 cm cyf
   
   
     

Carl Spitzweg Spanisches Standchen oil painting


Spanisches Standchen
circa 1856(1856) Medium oil on canvas Dimensions 67,8 X 53,4 cm cyf
Painting ID::  97155
Carl Spitzweg
Spanisches Standchen
circa 1856(1856) Medium oil on canvas Dimensions 67,8 X 53,4 cm cyf
   
   
     

Carl Spitzweg Institutsspaziergang oil painting


Institutsspaziergang
circa 1860(1860) Medium oil on canvas Dimensions 32.1 X 54.1 cm cyf
Painting ID::  97283
Carl Spitzweg
Institutsspaziergang
circa 1860(1860) Medium oil on canvas Dimensions 32.1 X 54.1 cm cyf
   
   
     

Carl Spitzweg Reisende Komodianten oil painting


Reisende Komodianten
circa 1838(1838) Medium oil on canvas Dimensions 37 X 46.5 cm cyf
Painting ID::  97306
Carl Spitzweg
Reisende Komodianten
circa 1838(1838) Medium oil on canvas Dimensions 37 X 46.5 cm cyf
   
   
     

Carl Spitzweg coastal scene from the north of France oil painting


coastal scene from the north of France
circa 1880(1880) Medium oil on canvas Dimensions 36 X 53.5 cm cyf
Painting ID::  97371
Carl Spitzweg
coastal scene from the north of France
circa 1880(1880) Medium oil on canvas Dimensions 36 X 53.5 cm cyf
   
   
     

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     Carl Spitzweg
     German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

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