Corot Camille French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
Portrait of Mme mk131
Baujot 1837 Corot that never itself case, tenla true devocion by the daughters of its sisters, to the ones that treated as own. Painting ID:: 38136
Corot Camille Portrait of Mme mk131
Baujot 1837 Corot that never itself case, tenla true devocion by the daughters of its sisters, to the ones that treated as own.
Reader crowned of flowers or The Muse of virgil mk131
1845 one of the first samples of the figures alegoricas that Corot frecuentaria al final of its career. Painting ID:: 38138
Corot Camille Reader crowned of flowers or The Muse of virgil mk131
1845 one of the first samples of the figures alegoricas that Corot frecuentaria al final of its career.
Marietta mk131
1843 Corot I paint few naked, but always with singular fortune and with an accent incofundible in the pntura French du its time. Painting ID:: 38139
Corot Camille Marietta mk131
1843 Corot I paint few naked, but always with singular fortune and with an accent incofundible in the pntura French du its time.
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers