DOU, Gerrit
Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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DOU, Gerrit The Dropsical Woman sdf oil painting


The Dropsical Woman sdf
1663 Oil on wood, 86 x 67 cm Mus??e du Louvre, Paris
Painting ID::  6468
DOU, Gerrit
The Dropsical Woman sdf
1663 Oil on wood, 86 x 67 cm Mus??e du Louvre, Paris
   
   
     

DOU, Gerrit The Evening School sf oil painting


The Evening School sf
Oil on canvas Rijksmuseum, Amsterdam
Painting ID::  6469
DOU, Gerrit
The Evening School sf
Oil on canvas Rijksmuseum, Amsterdam
   
   
     

DOU, Gerrit Cardplayers at Candlelight dfg oil painting


Cardplayers at Candlelight dfg
c. 1660 Oil on wood Residenzgalerie, Salzburg
Painting ID::  6470
DOU, Gerrit
Cardplayers at Candlelight dfg
c. 1660 Oil on wood Residenzgalerie, Salzburg
   
   
     

DOU, Gerrit Old Woman with a Candle  df oil painting


Old Woman with a Candle df
1661 Oil on oak, 31 x 23 cm Wallraf-Richartz Museum, Cologne
Painting ID::  6471
DOU, Gerrit
Old Woman with a Candle df
1661 Oil on oak, 31 x 23 cm Wallraf-Richartz Museum, Cologne
   
   
     

DOU, Gerrit Old Woman Watering Flowers sd oil painting


Old Woman Watering Flowers sd
1660-65 Oil on wood, 28,3 x 22,8 cm Kunsthistorisches Museum, Vienna
Painting ID::  6472
DOU, Gerrit
Old Woman Watering Flowers sd
1660-65 Oil on wood, 28,3 x 22,8 cm Kunsthistorisches Museum, Vienna
   
   
     

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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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