Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Mars oil painting


Mars
1636-42 Museo del Prado, Madrid
Painting ID::  762
Diego Velazquez
Mars
1636-42 Museo del Prado, Madrid
   
   
     

Diego Velazquez The Coronation of the Virgin oil painting


The Coronation of the Virgin
1641-44 Museo del Prado, Madrid
Painting ID::  763
Diego Velazquez
The Coronation of the Virgin
1641-44 Museo del Prado, Madrid
   
   
     

Diego Velazquez Don Sebastian de Morra oil painting


Don Sebastian de Morra
1645 Museo del Prado, Madrid
Painting ID::  764
Diego Velazquez
Don Sebastian de Morra
1645 Museo del Prado, Madrid
   
   
     

Diego Velazquez Pope Innocent X oil painting


Pope Innocent X
1649-50 National Gallery of Art, Washington DC
Painting ID::  765
Diego Velazquez
Pope Innocent X
1649-50 National Gallery of Art, Washington DC
   
   
     

Diego Velazquez The Forge of Vulcan oil painting


The Forge of Vulcan
1630 Museo del Prado, Madrid
Painting ID::  766
Diego Velazquez
The Forge of Vulcan
1630 Museo del Prado, Madrid
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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