Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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Domenichino Ermordung des Hl Petrus Martyr oil painting


Ermordung des Hl Petrus Martyr
Deutsch: um 1618-1620 English: c. 1618-1620 Medium Oil on canvas Dimensions Deutsch: 345 ?? 236 cm cyf
Painting ID::  76832 		Domenichino
Ermordung des Hl Petrus Martyr
Deutsch: um 1618-1620 English: c. 1618-1620 Medium Oil on canvas Dimensions Deutsch: 345 ?? 236 cm cyf
   
   
     
Domenichino Portrait of Cardinal Agucchi oil painting


Portrait of Cardinal Agucchi
1605 cjr
Painting ID::  79574 		Domenichino
Portrait of Cardinal Agucchi
1605 cjr
   
   
     
Domenichino Zampieri (Domenichino)'s St John the Evangelist oil painting


Zampieri (Domenichino)'s St John the Evangelist
Date 1624 - 1629 Medium Oil on canvas Dimensions 259 x 199.4 cm cjr
Painting ID::  81822 		Domenichino
Zampieri (Domenichino)'s St John the Evangelist
Date 1624 - 1629 Medium Oil on canvas Dimensions 259 x 199.4 cm cjr
   
   
     
Domenichino Cumaean Sibyl oil painting


Cumaean Sibyl
ca. 1622(1622) Medium Oil on canvas cyf
Painting ID::  82059 		Domenichino
Cumaean Sibyl
ca. 1622(1622) Medium Oil on canvas cyf
   
   
     
Domenichino Domenichino, The Way to Calvary oil painting


Domenichino, The Way to Calvary
Oil on copper , 21 1/8 x 26 5/8 in., Getty Museum Date ca. 1610(1610) cjr
Painting ID::  84439 		Domenichino
Domenichino, The Way to Calvary
Oil on copper , 21 1/8 x 26 5/8 in., Getty Museum Date ca. 1610(1610) cjr
   
   
     
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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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