Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas Women Ironing oil painting


Women Ironing
mk235 c.1884 Oil on canvas 76.8x81.5cm
Painting ID::  54092
Edgar Degas
Women Ironing
mk235 c.1884 Oil on canvas 76.8x81.5cm
   
   
     

Edgar Degas Woman Combing her hair oil painting


Woman Combing her hair
mk235 Oil on canvas c.1885 53x52cm
Painting ID::  54098
Edgar Degas
Woman Combing her hair
mk235 Oil on canvas c.1885 53x52cm
   
   
     

Edgar Degas After the Bath oil painting


After the Bath
mk235 1885 Oil on canvas 80x51.2cm
Painting ID::  54099
Edgar Degas
After the Bath
mk235 1885 Oil on canvas 80x51.2cm
   
   
     

Edgar Degas The Tub oil painting


The Tub
mk235 1885/86 Oil on canvas 70x70cm
Painting ID::  54100
Edgar Degas
The Tub
mk235 1885/86 Oil on canvas 70x70cm
   
   
     

Edgar Degas Six Friends of t he Artist oil painting


Six Friends of t he Artist
mk235 1885 Pastel on paper 113x70cm
Painting ID::  54117
Edgar Degas
Six Friends of t he Artist
mk235 1885 Pastel on paper 113x70cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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