Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas In the front of mirror oil painting


In the front of mirror
mk206 1885-1886 Oil on canvas 49x64cm
Painting ID::  49964
Edgar Degas
In the front of mirror
mk206 1885-1886 Oil on canvas 49x64cm
   
   
     

Edgar Degas Bathroom oil painting


Bathroom
mk206 1884-1886 Oil on tempera 30.5x30.5cm
Painting ID::  49965
Edgar Degas
Bathroom
mk206 1884-1886 Oil on tempera 30.5x30.5cm
   
   
     

Edgar Degas bathing lady oil painting


bathing lady
mk206 1885 Oil on tempera 66x52.7cm
Painting ID::  49966
Edgar Degas
bathing lady
mk206 1885 Oil on tempera 66x52.7cm
   
   
     

Edgar Degas After bath oil painting


After bath
mk206 1885-1890 Oil on canvas 70.8x57.2cm
Painting ID::  49967
Edgar Degas
After bath
mk206 1885-1890 Oil on canvas 70.8x57.2cm
   
   
     

Edgar Degas After bath oil painting


After bath
mk206 1886-1888 Oil on canvas 48x87cm
Painting ID::  49968
Edgar Degas
After bath
mk206 1886-1888 Oil on canvas 48x87cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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