Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas At the Ballet oil painting


At the Ballet
1872 69 x 49cm Stadelsches Kunstinstitut, Frankfurt
Painting ID::  839 		Edgar Degas
At the Ballet
1872 69 x 49cm Stadelsches Kunstinstitut, Frankfurt
   
   
     
Edgar Degas Aix Ambassadeurs oil painting


Aix Ambassadeurs
1875-77 37 x 27cm Musee des Beaux Arts, Lyons
Painting ID::  840 		Edgar Degas
Aix Ambassadeurs
1875-77 37 x 27cm Musee des Beaux Arts, Lyons
   
   
     
Edgar Degas Singer With a Glove oil painting


Singer With a Glove
1878 Pastel and liquid medium on canvas 20 3/4 x 16 in. (52.8 x 41.1 cm) Fogg Art Museum, Harvard University, Cambridge, MA
Painting ID::  841 		Edgar Degas
Singer With a Glove
1878 Pastel and liquid medium on canvas 20 3/4 x 16 in. (52.8 x 41.1 cm) Fogg Art Museum, Harvard University, Cambridge, MA
   
   
     
Edgar Degas Before the Ballet oil painting


Before the Ballet

Painting ID::  842 		Edgar Degas
Before the Ballet
   
   
     
Edgar Degas Halevy and Cave Backstage at the Opera oil painting


Halevy and Cave Backstage at the Opera
1879
Painting ID::  843 		Edgar Degas
Halevy and Cave Backstage at the Opera
1879
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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