Egon Schiele
1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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Egon Schiele Wally oil painting


Wally
mk189 1912 Pencil.gouache 29.7x26cm
Painting ID::  47904
Egon Schiele
Wally
mk189 1912 Pencil.gouache 29.7x26cm
   
   
     

Egon Schiele Study for the Holy family oil painting


Study for the Holy family
mk189 1913 Pencil.water colour 47.7x31.7cm
Painting ID::  47905
Egon Schiele
Study for the Holy family
mk189 1913 Pencil.water colour 47.7x31.7cm
   
   
     

Egon Schiele Self protrait as a prisoner oil painting


Self protrait as a prisoner
mk189 1912 pencil,water colour 48.2x31.8cm
Painting ID::  47906
Egon Schiele
Self protrait as a prisoner
mk189 1912 pencil,water colour 48.2x31.8cm
   
   
     

Egon Schiele Crouching figure oil painting


Crouching figure
mk189 1912 pencil,water colour 44x30cm
Painting ID::  47907
Egon Schiele
Crouching figure
mk189 1912 pencil,water colour 44x30cm
   
   
     

Egon Schiele Squatting male nude with stockings oil painting


Squatting male nude with stockings
mk189 1912 Pencil,water colour 31.5x42cm
Painting ID::  47908
Egon Schiele
Squatting male nude with stockings
mk189 1912 Pencil,water colour 31.5x42cm
   
   
     

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     Egon Schiele
     1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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