Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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Francesco Hayez Zusammentreffen von Jakob und Esau, Detail oil painting


Zusammentreffen von Jakob und Esau, Detail
Date 1844(1844) Medium Oil on canvas cjr
Painting ID::  85814
Francesco Hayez
Zusammentreffen von Jakob und Esau, Detail
Date 1844(1844) Medium Oil on canvas cjr
   
   
     

Francesco Hayez Zusammentreffen von Jakob und Esau oil painting


Zusammentreffen von Jakob und Esau
Date 1844(1844) Medium Oil on canvas Dimensions Deutsch: 208 x 300 cm cjr
Painting ID::  87158
Francesco Hayez
Zusammentreffen von Jakob und Esau
Date 1844(1844) Medium Oil on canvas Dimensions Deutsch: 208 x 300 cm cjr
   
   
     

Francesco Hayez Der Tod des Dogen Marin Faliero oil painting


Der Tod des Dogen Marin Faliero
Date 1867(1867) Medium Oil on canvas Dimensions Deutsch: 192 x 238 cm cjr
Painting ID::  87169
Francesco Hayez
Der Tod des Dogen Marin Faliero
Date 1867(1867) Medium Oil on canvas Dimensions Deutsch: 192 x 238 cm cjr
   
   
     

Francesco Hayez La scarcerazione di Vittor Pisani. oil painting


La scarcerazione di Vittor Pisani.
Date 1840(1840) Medium Oil on canvas Dimensions Deutsch: 100 x 178 cm cjr
Painting ID::  87175
Francesco Hayez
La scarcerazione di Vittor Pisani.
Date 1840(1840) Medium Oil on canvas Dimensions Deutsch: 100 x 178 cm cjr
   
   
     

Francesco Hayez The Sicilian Vespers oil painting


The Sicilian Vespers
Date 1846(1846) Medium Oil on canvas Dimensions Deutsch: 225 x 300 cm cjr
Painting ID::  87357
Francesco Hayez
The Sicilian Vespers
Date 1846(1846) Medium Oil on canvas Dimensions Deutsch: 225 x 300 cm cjr
   
   
     

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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