Francisco de Goya
Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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Francisco de Goya Portrait of Don Juan Antonio Llorente oil painting


Portrait of Don Juan Antonio Llorente
from 1809(1809) until 1813(1813) Oil on canvas 189 X 114.5 cm (74.4 X 45.1 in) cjr
Painting ID::  75243
Francisco de Goya
Portrait of Don Juan Antonio Llorente
from 1809(1809) until 1813(1813) Oil on canvas 189 X 114.5 cm (74.4 X 45.1 in) cjr
   
   
     

Francisco de Goya Portrait of Ferdinand VII of Spain in his robes of state oil painting


Portrait of Ferdinand VII of Spain in his robes of state
1814(1814) Oil on canvas 212 X 146 cm (83.46 X 57.48 in) cjr
Painting ID::  75427
Francisco de Goya
Portrait of Ferdinand VII of Spain in his robes of state
1814(1814) Oil on canvas 212 X 146 cm (83.46 X 57.48 in) cjr
   
   
     

Francisco de Goya Portrait of Cardinal Luis Maria de Borbon y Vallabriga oil painting


Portrait of Cardinal Luis Maria de Borbon y Vallabriga
Portrait of Cardinal Luis Maria de Borbon y Vallabriga ca. 1798-1800 Oil on canvas 200 X 106 cm (78.7 X 41.7 in) cjr
Painting ID::  75432
Francisco de Goya
Portrait of Cardinal Luis Maria de Borbon y Vallabriga
Portrait of Cardinal Luis Maria de Borbon y Vallabriga ca. 1798-1800 Oil on canvas 200 X 106 cm (78.7 X 41.7 in) cjr
   
   
     

Francisco de Goya Portrait of Maria Tomasa Palafox y Portocarrero, Duchess of Medina-Sidonia and Marchioness of Villafranca oil painting


Portrait of Maria Tomasa Palafox y Portocarrero, Duchess of Medina-Sidonia and Marchioness of Villafranca
1804(1804) Oil on canvas 195 X 126 cm (76.77 X 49.61 in) cjr
Painting ID::  75443
Francisco de Goya
Portrait of Maria Tomasa Palafox y Portocarrero, Duchess of Medina-Sidonia and Marchioness of Villafranca
1804(1804) Oil on canvas 195 X 126 cm (76.77 X 49.61 in) cjr
   
   
     

Francisco de Goya Retrato del doctor Peral oil painting


Retrato del doctor Peral
ca. 1795(1795) Oil on wood 95 X 66 cm (37.4 X 25.98 in) cjr
Painting ID::  75521
Francisco de Goya
Retrato del doctor Peral
ca. 1795(1795) Oil on wood 95 X 66 cm (37.4 X 25.98 in) cjr
   
   
     

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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