Francisco de Goya
Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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Francisco de Goya hermana de Carlos III oil painting


hermana de Carlos III
1800(1800) Medium Oil on canvas Dimensions 74 x 60 cm (29.1 x 23.6 in) cyf
Painting ID::  79544
Francisco de Goya
hermana de Carlos III
1800(1800) Medium Oil on canvas Dimensions 74 x 60 cm (29.1 x 23.6 in) cyf
   
   
     

Francisco de Goya The family of Infante Don Luis oil painting


The family of Infante Don Luis
1783/1784 Oil on canvas 248 x 330 cm (97.6 x 129.9 in) cjr
Painting ID::  79568
Francisco de Goya
The family of Infante Don Luis
1783/1784 Oil on canvas 248 x 330 cm (97.6 x 129.9 in) cjr
   
   
     

Francisco de Goya Luis de Etruria oil painting


Luis de Etruria
1800(1800) Medium Oil on canvas cyf
Painting ID::  79622
Francisco de Goya
Luis de Etruria
1800(1800) Medium Oil on canvas cyf
   
   
     

Francisco de Goya La Tirana oil painting


La Tirana
1799(1799) Medium Oil on canvas Dimensions 206.5 x 230.5 cm (81.3 x 90.7 in) cyf
Painting ID::  79638
Francisco de Goya
La Tirana
1799(1799) Medium Oil on canvas Dimensions 206.5 x 230.5 cm (81.3 x 90.7 in) cyf
   
   
     

Francisco de Goya Portrait of Juan Melendez Valdes (1754-1817), Spanish writer oil painting


Portrait of Juan Melendez Valdes (1754-1817), Spanish writer
ca. 1790 Oil on canvas 73´3 x 57´1 cm. cjr
Painting ID::  79666
Francisco de Goya
Portrait of Juan Melendez Valdes (1754-1817), Spanish writer
ca. 1790 Oil on canvas 73´3 x 57´1 cm. cjr
   
   
     

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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