Francisco de Goya
Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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Francisco de Goya Courtyard with Lunatics or Yard with Madmen oil painting


Courtyard with Lunatics or Yard with Madmen
794. Oil on tin plated iron, 43.8 x 32.7 cm cyf
Painting ID::  85544
Francisco de Goya
Courtyard with Lunatics or Yard with Madmen
794. Oil on tin plated iron, 43.8 x 32.7 cm cyf
   
   
     

Francisco de Goya Tribunal der Inquisition oil painting


Tribunal der Inquisition
Date 1812-1814 Medium Oil on canvas Dimensions 46 x 73 cm cjr
Painting ID::  85558
Francisco de Goya
Tribunal der Inquisition
Date 1812-1814 Medium Oil on canvas Dimensions 46 x 73 cm cjr
   
   
     

Francisco de Goya Portrait of Manuela Tellez Giron y Pimentel oil painting


Portrait of Manuela Tellez Giron y Pimentel
Date 1816 Medium Oil on canvas Dimensions 92 x 70 cm (36.2 x 27.6 in) cjr
Painting ID::  85723
Francisco de Goya
Portrait of Manuela Tellez Giron y Pimentel
Date 1816 Medium Oil on canvas Dimensions 92 x 70 cm (36.2 x 27.6 in) cjr
   
   
     

Francisco de Goya Die Lampe des Teufels oil painting


Die Lampe des Teufels
Date 1797-1798 Medium Oil on canvas Dimensions Deutsch: 42 x 32 cm cjr
Painting ID::  85816
Francisco de Goya
Die Lampe des Teufels
Date 1797-1798 Medium Oil on canvas Dimensions Deutsch: 42 x 32 cm cjr
   
   
     

Francisco de Goya The Strolling Players oil painting


The Strolling Players
Date between 1794(1794) and 1798(1798) Medium Oil on tin plate Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cjr
Painting ID::  85840
Francisco de Goya
The Strolling Players
Date between 1794(1794) and 1798(1798) Medium Oil on tin plate Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cjr
   
   
     

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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