Francisco de Goya
Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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Francisco de Goya A Prison Scene oil painting


A Prison Scene
1810-14 or 1793-94 Medium oil on tin cyf
Painting ID::  91312
Francisco de Goya
A Prison Scene
1810-14 or 1793-94 Medium oil on tin cyf
   
   
     

Francisco de Goya woman and two children by a fountain oil painting


woman and two children by a fountain
1786(1786) Medium oil on canvas Dimensions 35.5 x 18.8 cm (14 x 7.4 in) cyf
Painting ID::  91488
Francisco de Goya
woman and two children by a fountain
1786(1786) Medium oil on canvas Dimensions 35.5 x 18.8 cm (14 x 7.4 in) cyf
   
   
     

Francisco de Goya Episode aus dem spanischen Unabhangigkeitskrieg oil painting


Episode aus dem spanischen Unabhangigkeitskrieg
1810 Medium oil on canvas cyf
Painting ID::  91509
Francisco de Goya
Episode aus dem spanischen Unabhangigkeitskrieg
1810 Medium oil on canvas cyf
   
   
     

Francisco de Goya Friar Pedro Wrests the Gun from El Maragato oil painting


Friar Pedro Wrests the Gun from El Maragato
c. 1806(1806) Medium oil on panel Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in) cjr
Painting ID::  91606
Francisco de Goya
Friar Pedro Wrests the Gun from El Maragato
c. 1806(1806) Medium oil on panel Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in) cjr
   
   
     

Francisco de Goya Friar Pedro Shoots El Maragato as His Horse Runs Off oil painting


Friar Pedro Shoots El Maragato as His Horse Runs Off
c. 1806(1806) Medium oil on panel Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in) cjr
Painting ID::  91607
Francisco de Goya
Friar Pedro Shoots El Maragato as His Horse Runs Off
c. 1806(1806) Medium oil on panel Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in) cjr
   
   
     

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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