Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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Frans Hals A Family Group in a Landscape oil painting


A Family Group in a Landscape
1630-35 National Gallery, London
Painting ID::  1512
Frans Hals
A Family Group in a Landscape
1630-35 National Gallery, London
   
   
     

Frans Hals Portrait of Willem (Balthasar) Coymans oil painting


Portrait of Willem (Balthasar) Coymans
1645 National Gallery of Art, Washington DC
Painting ID::  1513
Frans Hals
Portrait of Willem (Balthasar) Coymans
1645 National Gallery of Art, Washington DC
   
   
     

Frans Hals The Gypsy Girl oil painting


The Gypsy Girl
1628-30 Musee du Louvre, Paris
Painting ID::  1514
Frans Hals
The Gypsy Girl
1628-30 Musee du Louvre, Paris
   
   
     

Frans Hals Jester with a Lute oil painting


Jester with a Lute
1620-25 Musee du Louvre, Paris
Painting ID::  1515
Frans Hals
Jester with a Lute
1620-25 Musee du Louvre, Paris
   
   
     

Frans Hals Andries van der Horn oil painting


Andries van der Horn
1638 Museum of Art, Sao Paolo
Painting ID::  1516
Frans Hals
Andries van der Horn
1638 Museum of Art, Sao Paolo
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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