Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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Frans Hals Portrait of an Elderly Lady oil painting


Portrait of an Elderly Lady
1633 National Gallery of Art, Washington DC 40 3/8 x 34 3/16 in / 1.025 x .869 m
Painting ID::  1502
Frans Hals
Portrait of an Elderly Lady
1633 National Gallery of Art, Washington DC 40 3/8 x 34 3/16 in / 1.025 x .869 m
   
   
     

Frans Hals Portrait of a Young Man with a Skull oil painting


Portrait of a Young Man with a Skull
c1626/28 National Gallery, London
Painting ID::  1503
Frans Hals
Portrait of a Young Man with a Skull
c1626/28 National Gallery, London
   
   
     

Frans Hals Young Man and Woman in an Inn oil painting


Young Man and Woman in an Inn
1623 Metropolitan Museum of Art, New York
Painting ID::  1504
Frans Hals
Young Man and Woman in an Inn
1623 Metropolitan Museum of Art, New York
   
   
     

Frans Hals Portrait of Samuel Ampzing oil painting


Portrait of Samuel Ampzing
1630
Painting ID::  1505
Frans Hals
Portrait of Samuel Ampzing
1630
   
   
     

Frans Hals Maria Pietersdochter Olycan oil painting


Maria Pietersdochter Olycan
Museum of Art, Sao Paolo
Painting ID::  1506
Frans Hals
Maria Pietersdochter Olycan
Museum of Art, Sao Paolo
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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