Frederic Edwin Church
American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
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Frederic Edwin Church The Old Boat oil painting


The Old Boat
1850Oil on composition board Thyssen-Bornemisza Museum, Madrid; 28 x 43.2 cm
Painting ID::  10658 		Frederic Edwin Church
The Old Boat
1850Oil on composition board Thyssen-Bornemisza Museum, Madrid; 28 x 43.2 cm
   
   
     
Frederic Edwin Church Beacon, off Mount Desert Island oil painting


Beacon, off Mount Desert Island
1851 Oil on canvas; 31 x 46 in.
Painting ID::  10659 		Frederic Edwin Church
Beacon, off Mount Desert Island
1851 Oil on canvas; 31 x 46 in.
   
   
     
Frederic Edwin Church New England Scenery oil painting


New England Scenery
1851; Oil on canvas; George Walter Vincent Smith Art Museum, Springfield, Massachusetts;36x53in
Painting ID::  10660 		Frederic Edwin Church
New England Scenery
1851; Oil on canvas; George Walter Vincent Smith Art Museum, Springfield, Massachusetts;36x53in
   
   
     
Frederic Edwin Church Lake Scene in Mount Desert oil painting


Lake Scene in Mount Desert
1851Oil on canvas 20.69 x 30.88 in
Painting ID::  10661 		Frederic Edwin Church
Lake Scene in Mount Desert
1851Oil on canvas 20.69 x 30.88 in
   
   
     
Frederic Edwin Church Home by the Lake oil painting


Home by the Lake
1852Oil on canvas 32 x 48.25 in.
Painting ID::  10662 		Frederic Edwin Church
Home by the Lake
1852Oil on canvas 32 x 48.25 in.
   
   
     
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     Frederic Edwin Church
     American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

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