GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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GRECO, El St Francis-s Vision of the Flaming Torch oil painting


St Francis-s Vision of the Flaming Torch
1600-05 Oil on canvas, 203 x 148 cm
Painting ID::  43755 		GRECO, El
St Francis-s Vision of the Flaming Torch
1600-05 Oil on canvas, 203 x 148 cm
   
   
     
GRECO, El St Francis's Vision of the Flaming Torch oil painting


St Francis's Vision of the Flaming Torch
1600-05 Oil on canvas, 203 x 148 cm
Painting ID::  43756 		GRECO, El
St Francis's Vision of the Flaming Torch
1600-05 Oil on canvas, 203 x 148 cm
   
   
     
GRECO, El St Francis and Brother Rufus oil painting


St Francis and Brother Rufus
1600-06 Oil on canvas, 102 x 65 cm
Painting ID::  43757 		GRECO, El
St Francis and Brother Rufus
1600-06 Oil on canvas, 102 x 65 cm
   
   
     
GRECO, El Saint Bernardino oil painting


Saint Bernardino
1603 Oil on canvas, 269 x 144 cm
Painting ID::  43758 		GRECO, El
Saint Bernardino
1603 Oil on canvas, 269 x 144 cm
   
   
     
GRECO, El Portrait of the Artist's Son Jorge Manuel Theotokopoulos oil painting


Portrait of the Artist's Son Jorge Manuel Theotokopoulos
c. 1603 Oil on canvas, 74 x 51,5 cm
Painting ID::  43759 		GRECO, El
Portrait of the Artist's Son Jorge Manuel Theotokopoulos
c. 1603 Oil on canvas, 74 x 51,5 cm
   
   
     
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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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