Georges Seurat
French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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Georges Seurat fiskeflottan utanfor port oil painting


fiskeflottan utanfor port
1888 se
Painting ID::  68038
Georges Seurat
fiskeflottan utanfor port
1888 se
   
   
     

Georges Seurat ung kvinna som pudrar sig oil painting


ung kvinna som pudrar sig
1889/1890 se
Painting ID::  68039
Georges Seurat
ung kvinna som pudrar sig
1889/1890 se
   
   
     

Georges Seurat Auf einer Wiese sitzender Knabe oil painting


Auf einer Wiese sitzender Knabe
Medium Oil on canvas Dimensions Expression error: Missing operand for *65 ?? 81 cm
Painting ID::  70555
Georges Seurat
Auf einer Wiese sitzender Knabe
Medium Oil on canvas Dimensions Expression error: Missing operand for *65 ?? 81 cm
   
   
     

Georges Seurat batbers at asnieres oil painting


batbers at asnieres
mk290 1883-84 oil on canvas 200x300cm national gallery london
Painting ID::  71103
Georges Seurat
batbers at asnieres
mk290 1883-84 oil on canvas 200x300cm national gallery london
   
   
     

Georges Seurat A Sunday afternoon on the is land of la grande jatte oil painting


A Sunday afternoon on the is land of la grande jatte
mk290 1884 oil on can vas 207.6x308cm the art instiute of chicago memorial collection
Painting ID::  71112
Georges Seurat
A Sunday afternoon on the is land of la grande jatte
mk290 1884 oil on can vas 207.6x308cm the art instiute of chicago memorial collection
   
   
     

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     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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