Georges Seurat
French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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Georges Seurat Study for Le Bec du Hoc,Grandcampe oil painting


Study for Le Bec du Hoc,Grandcampe
mk103 1895 Oil on panel 15.6x24.5
Painting ID::  35465
Georges Seurat
Study for Le Bec du Hoc,Grandcampe
mk103 1895 Oil on panel 15.6x24.5
   
   
     

Georges Seurat Head Portrait of the Girl oil painting


Head Portrait of the Girl
mk106 about 1879 28.8x24.1cm
Painting ID::  35816
Georges Seurat
Head Portrait of the Girl
mk106 about 1879 28.8x24.1cm
   
   
     

Georges Seurat Excavation Worker oil painting


Excavation Worker
mk105 about 1882 14.5x24cm
Painting ID::  35817
Georges Seurat
Excavation Worker
mk105 about 1882 14.5x24cm
   
   
     

Georges Seurat Personality in the Landscape oil painting


Personality in the Landscape
mk106 1882 15.7x25cm
Painting ID::  35818
Georges Seurat
Personality in the Landscape
mk106 1882 15.7x25cm
   
   
     

Georges Seurat Piling Farmer oil painting


Piling Farmer
mk06 about 1882 15x25cm
Painting ID::  35819
Georges Seurat
Piling Farmer
mk06 about 1882 15x25cm
   
   
     

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     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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