Giorgio Vasari
1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
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Giorgio Vasari Taking of Pisa oil painting


Taking of Pisa
mk68 Fresco, Florence,Palazzo Vecchio, Salone del Cinquecento 1563-1565 Italy
Painting ID::  30506 		Giorgio Vasari
Taking of Pisa
mk68 Fresco, Florence,Palazzo Vecchio, Salone del Cinquecento 1563-1565 Italy
   
   
     
Giorgio Vasari Self-Portrait oil painting


Self-Portrait
mk68 Oil on wood 39 1/2"x31 1/2" Florence,Uffizi, 1566-1568 Italy
Painting ID::  30510 		Giorgio Vasari
Self-Portrait
mk68 Oil on wood 39 1/2"x31 1/2" Florence,Uffizi, 1566-1568 Italy
   
   
     
Giorgio Vasari Recreation by our Gallery oil painting


Recreation by our Gallery
mk79 About 1558
Painting ID::  32563 		Giorgio Vasari
Recreation by our Gallery
mk79 About 1558
   
   
     
Giorgio Vasari Sala di Clement VII oil painting


Sala di Clement VII
mk83 Palazzo Vecchio Florence
Painting ID::  33232 		Giorgio Vasari
Sala di Clement VII
mk83 Palazzo Vecchio Florence
   
   
     
Giorgio Vasari Portrat of Lorenzo de Medici oil painting


Portrat of Lorenzo de Medici
mk137 1533 oils on linen 90x72cm Galleria deglI Uffizi, Florence
Painting ID::  38470 		Giorgio Vasari
Portrat of Lorenzo de Medici
mk137 1533 oils on linen 90x72cm Galleria deglI Uffizi, Florence
   
   
     
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     Giorgio Vasari
     1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.

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