Giuseppe De Nittis
Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,
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Giuseppe De Nittis The Place des Pyramides oil painting


The Place des Pyramides
1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883
Painting ID::  11485 		Giuseppe De Nittis
The Place des Pyramides
1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883
   
   
     
Giuseppe De Nittis Field of Snow n.d (nn02) oil painting


Field of Snow n.d (nn02)
Oil on canvas 21 5/8x15"
Painting ID::  23110 		Giuseppe De Nittis
Field of Snow n.d (nn02)
Oil on canvas 21 5/8x15"
   
   
     
Giuseppe De Nittis In the Fields Around London (nn02) oil painting


In the Fields Around London (nn02)
Oil on canvas 17 3/4x21 5/8"
Painting ID::  23109 		Giuseppe De Nittis
In the Fields Around London (nn02)
Oil on canvas 17 3/4x21 5/8"
   
   
     
Giuseppe De Nittis Lake of thte Four Cantons (nn02) oil painting


Lake of thte Four Cantons (nn02)
1875 Oil on canvas 23 5/8x35 1/2"
Painting ID::  23111 		Giuseppe De Nittis
Lake of thte Four Cantons (nn02)
1875 Oil on canvas 23 5/8x35 1/2"
   
   
     
Giuseppe De Nittis Westminster (nn02) oil painting


Westminster (nn02)
c.1875 Oil on canvas 45 1/4x77 1/2"
Painting ID::  23112 		Giuseppe De Nittis
Westminster (nn02)
c.1875 Oil on canvas 45 1/4x77 1/2"
   
   
     
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     Giuseppe De Nittis
     Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,

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