Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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Gustav Klimt salongen, gamla burgtheater oil painting


salongen, gamla burgtheater
wien, 1888, wien, historisches museum der stadt wien 82x92cm se
Painting ID::  65229
Gustav Klimt
salongen, gamla burgtheater
wien, 1888, wien, historisches museum der stadt wien 82x92cm se
   
   
     

Gustav Klimt sapfo oil painting


sapfo
1888-90. wien, historisches museum der stadt wien 39x31.6cm se
Painting ID::  65230
Gustav Klimt
sapfo
1888-90. wien, historisches museum der stadt wien 39x31.6cm se
   
   
     

Gustav Klimt portratt joseph pembauer oil painting


portratt joseph pembauer
1890, innsbruck, tiroles landesmuseum ferdinandeum, 69x55cm se
Painting ID::  65231
Gustav Klimt
portratt joseph pembauer
1890, innsbruck, tiroles landesmuseum ferdinandeum, 69x55cm se
   
   
     

Gustav Klimt portratt av sonja knips oil painting


portratt av sonja knips
1898 wien osterrechische galerie, 145x145cm se
Painting ID::  65232
Gustav Klimt
portratt av sonja knips
1898 wien osterrechische galerie, 145x145cm se
   
   
     

Gustav Klimt kvinnoportratt oil painting


kvinnoportratt
1894, wien, historisches museum der stadt wiemn, 30x23cm se
Painting ID::  65233
Gustav Klimt
kvinnoportratt
1894, wien, historisches museum der stadt wiemn, 30x23cm se
   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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