HOGARTH, William
British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.
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HOGARTH, William Before the Seduction and After sf oil painting


Before the Seduction and After sf
1731 Oil on canvas J. Paul Getty Museum, Malibu
Painting ID::  7508 		HOGARTH, William
Before the Seduction and After sf
1731 Oil on canvas J. Paul Getty Museum, Malibu
   
   
     
HOGARTH, William The Shrimp Girl sf oil painting


The Shrimp Girl sf
c. 1740 Oil on canvas, 63,5 x 52,5 cm National Gallery, London
Painting ID::  7509 		HOGARTH, William
The Shrimp Girl sf
c. 1740 Oil on canvas, 63,5 x 52,5 cm National Gallery, London
   
   
     
HOGARTH, William The Strode Family w oil painting


The Strode Family w
1738 Oil on canvas, 87 x 91,5 cm Tate Gallery, London
Painting ID::  7510 		HOGARTH, William
The Strode Family w
1738 Oil on canvas, 87 x 91,5 cm Tate Gallery, London
   
   
     
HOGARTH, William Shortly after the Marriage (mk08) oil painting


Shortly after the Marriage (mk08)
1744 Oil on canvas. 70x91cm London,National Gallery
Painting ID::  21838 		HOGARTH, William
Shortly after the Marriage (mk08)
1744 Oil on canvas. 70x91cm London,National Gallery
   
   
     
HOGARTH, William The Graham Chidren (mk08) oil painting


The Graham Chidren (mk08)
1742 Oil on canvas, 160.5x181cm London,Tate Gallery
Painting ID::  21930 		HOGARTH, William
The Graham Chidren (mk08)
1742 Oil on canvas, 160.5x181cm London,Tate Gallery
   
   
     
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     HOGARTH, William
     British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.

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