Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri de toulouse-lautrec Jan Avril Dancing oil painting


Jan Avril Dancing
mk87 1892 Oil on cardboard 85.5x45cm Paris,Musee d'Orsay
Painting ID::  33946 		Henri de toulouse-lautrec
Jan Avril Dancing
mk87 1892 Oil on cardboard 85.5x45cm Paris,Musee d'Orsay
   
   
     
Henri de toulouse-lautrec Two Women Dancing at the Moulin Rouge oil painting


Two Women Dancing at the Moulin Rouge
mk87 1892 Oil on cardboard 95x80cm Prague,Narodni Galeri
Painting ID::  33991 		Henri de toulouse-lautrec
Two Women Dancing at the Moulin Rouge
mk87 1892 Oil on cardboard 95x80cm Prague,Narodni Galeri
   
   
     
Henri de toulouse-lautrec Henry Samary oil painting


Henry Samary
mk87 1889 Oil on cardboard 74.9x51.9cm Paris,Musee d'Orsay
Painting ID::  33992 		Henri de toulouse-lautrec
Henry Samary
mk87 1889 Oil on cardboard 74.9x51.9cm Paris,Musee d'Orsay
   
   
     
Henri de toulouse-lautrec The Clowness Cha u kao oil painting


The Clowness Cha u kao
mk87 1895 Oil on cardboard 64x49cm Paris,Musee d'Orsay
Painting ID::  33993 		Henri de toulouse-lautrec
The Clowness Cha u kao
mk87 1895 Oil on cardboard 64x49cm Paris,Musee d'Orsay
   
   
     
Henri de toulouse-lautrec The Toilette oil painting


The Toilette
mk87 1896 Oil on cardboard 67x54cm Paris,Musee d'Orsay
Painting ID::  33994 		Henri de toulouse-lautrec
The Toilette
mk87 1896 Oil on cardboard 67x54cm Paris,Musee d'Orsay
   
   
     
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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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