Hieronymus Bosch
Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.

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Hieronymus Bosch Christ Crowned with Thorns. oil painting


Christ Crowned with Thorns.
ca. 1533 (1530-1550) Oil on panel 165 X 195 cm (64.96 X 76.77 in) cjr
Painting ID::  72317
Hieronymus Bosch
Christ Crowned with Thorns.
ca. 1533 (1530-1550) Oil on panel 165 X 195 cm (64.96 X 76.77 in) cjr
   
   
     

Hieronymus Bosch Ritt durch  Wasser oil painting


Ritt durch Wasser
English: Bosch, Ernst: A Ride through Water: Safe Crossing), 21 1/2 x 27 1/4 Inches Date ca. 1870 cyf
Painting ID::  73632
Hieronymus Bosch
Ritt durch Wasser
English: Bosch, Ernst: A Ride through Water: Safe Crossing), 21 1/2 x 27 1/4 Inches Date ca. 1870 cyf
   
   
     

Hieronymus Bosch The Temptation of Saint Anthony. oil painting


The Temptation of Saint Anthony.
c. 1520 or shortly afterwards (1515-1530) Oil on panel 88 x 72 cm (34.6 x 28.3 in) cjr
Painting ID::  79892
Hieronymus Bosch
The Temptation of Saint Anthony.
c. 1520 or shortly afterwards (1515-1530) Oil on panel 88 x 72 cm (34.6 x 28.3 in) cjr
   
   
     

Hieronymus Bosch Saint James and the magician Hermogenes. oil painting


Saint James and the magician Hermogenes.
Date 1550-1575 Medium Oil on panel Dimensions 62 x 41 cm (24.4 x 16.1 in) cjr
Painting ID::  80741
Hieronymus Bosch
Saint James and the magician Hermogenes.
Date 1550-1575 Medium Oil on panel Dimensions 62 x 41 cm (24.4 x 16.1 in) cjr
   
   
     

Hieronymus Bosch Concert in the Egg oil painting


Concert in the Egg
Date ca. 1561(1561) (1550-1575) Medium Oil on canvas Dimensions 108 x 126.5 cm (42.5 x 49.8 in) cjr
Painting ID::  81825
Hieronymus Bosch
Concert in the Egg
Date ca. 1561(1561) (1550-1575) Medium Oil on canvas Dimensions 108 x 126.5 cm (42.5 x 49.8 in) cjr
   
   
     

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     Hieronymus Bosch
     Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.

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