Ignacio Pinazo Camarlench
Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

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Ignacio Pinazo Camarlench Figura femenina sentada oil painting


Figura femenina sentada
Date 1880(1880) Medium Oil on canvas Dimensions 19 x 15.3 cm (7.5 x 6 in) cjr
Painting ID::  87084
Ignacio Pinazo Camarlench
Figura femenina sentada
Date 1880(1880) Medium Oil on canvas Dimensions 19 x 15.3 cm (7.5 x 6 in) cjr
   
   
     

Ignacio Pinazo Camarlench Interior de alquerea valenciana oil painting


Interior de alquerea valenciana
1899(1899) Medium Oil on canvas Dimensions 44 x 62 cm (17.3 x 24.4 in) cyf
Painting ID::  87098
Ignacio Pinazo Camarlench
Interior de alquerea valenciana
1899(1899) Medium Oil on canvas Dimensions 44 x 62 cm (17.3 x 24.4 in) cyf
   
   
     

Ignacio Pinazo Camarlench Self-portrait oil painting


Self-portrait
1889(1889) Medium Oil on canvas Dimensions 66.3 x 49 cm (26.1 x 19.3 in) cyf
Painting ID::  87744
Ignacio Pinazo Camarlench
Self-portrait
1889(1889) Medium Oil on canvas Dimensions 66.3 x 49 cm (26.1 x 19.3 in) cyf
   
   
     

Ignacio Pinazo Camarlench Alegorea sobre la vendimia oil painting


Alegorea sobre la vendimia
1900(1900) Medium oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cyf
Painting ID::  89593
Ignacio Pinazo Camarlench
Alegorea sobre la vendimia
1900(1900) Medium oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cyf
   
   
     

Ignacio Pinazo Camarlench Emparrado oil painting


Emparrado
1912(1912) Medium oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cyf
Painting ID::  89594
Ignacio Pinazo Camarlench
Emparrado
1912(1912) Medium oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cyf
   
   
     

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     Ignacio Pinazo Camarlench
     Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

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