Jacob Heinrich Elbfas
Swedish, born circa 1600-1664,was a portrait painter Elbfas was educated in Strasbourg in a tradition drawing back to Renaissance portraits. He established himself in Sweden from 1622 and from 1628 in Stockholm where he became a guild master. During the period 1634-1640 he worked as a court painter for Queen Maria Eleonora. His was frequently employed by the Swedish nobility and his influence on Swedish art was considerable until a new generation of artists were invited by Queen Christina during the 1640s.
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Jacob Heinrich Elbfas Gustav II Adolf oil painting


Gustav II Adolf
mk187 About 1629 Oil slick pa screen 214x108cm
Painting ID::  48807 		Jacob Heinrich Elbfas
Gustav II Adolf
mk187 About 1629 Oil slick pa screen 214x108cm
   
   
     
Jacob Heinrich Elbfas Queen Kristina,mellan tens and thirteen am failing oil painting


Queen Kristina,mellan tens and thirteen am failing
mk187 Ateljekopia behind original millings about 1636-39 Oil slick pa screen 130.5x92.5cm
Painting ID::  48808 		Jacob Heinrich Elbfas
Queen Kristina,mellan tens and thirteen am failing
mk187 Ateljekopia behind original millings about 1636-39 Oil slick pa screen 130.5x92.5cm
   
   
     
Jacob Heinrich Elbfas Lady Macbeth receives the daggers oil painting


Lady Macbeth receives the daggers
Date 1812(1812) Medium English: oil on canvas Deutsch: Öl auf Leinwand Dimensions 101.6 x 127 cm cyf
Painting ID::  84784 		Jacob Heinrich Elbfas
Lady Macbeth receives the daggers
Date 1812(1812) Medium English: oil on canvas Deutsch: Öl auf Leinwand Dimensions 101.6 x 127 cm cyf
   
   
     
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     Jacob Heinrich Elbfas
     Swedish, born circa 1600-1664,was a portrait painter Elbfas was educated in Strasbourg in a tradition drawing back to Renaissance portraits. He established himself in Sweden from 1622 and from 1628 in Stockholm where he became a guild master. During the period 1634-1640 he worked as a court painter for Queen Maria Eleonora. His was frequently employed by the Swedish nobility and his influence on Swedish art was considerable until a new generation of artists were invited by Queen Christina during the 1640s.

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