Jan Brueghel
1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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Jan Brueghel The Sense of Hearing oil painting


The Sense of Hearing
1618 Museo del Prado, Madrid
Painting ID::  238
Jan Brueghel
The Sense of Hearing
1618 Museo del Prado, Madrid
   
   
     

Jan Brueghel The Sense of Taste oil painting


The Sense of Taste
1618 Museo del Prado, Madrid
Painting ID::  239
Jan Brueghel
The Sense of Taste
1618 Museo del Prado, Madrid
   
   
     

Jan Brueghel The Sense of Smell oil painting


The Sense of Smell
1618 Museo del Prado, Madrid
Painting ID::  240
Jan Brueghel
The Sense of Smell
1618 Museo del Prado, Madrid
   
   
     

Jan Brueghel Allegory of Sight oil painting


Allegory of Sight
mk61 jan brueghel the elder and Peter paul rubens 1617 Oil on canvas 65x109cm
Painting ID::  28101
Jan Brueghel
Allegory of Sight
mk61 jan brueghel the elder and Peter paul rubens 1617 Oil on canvas 65x109cm
   
   
     

Jan Brueghel Village Street oil painting


Village Street
mk91 oil on copperplate 25.5x38
Painting ID::  34280
Jan Brueghel
Village Street
mk91 oil on copperplate 25.5x38
   
   
     

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     Jan Brueghel
     1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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