Jan Brueghel
1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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Jan Brueghel Still Life with Flowers in a Glass oil painting


Still Life with Flowers in a Glass
Medium Oil on copper Dimensions 24.5 X 19 cm (9.65 X 7.48 in) cyf
Painting ID::  72998
Jan Brueghel
Still Life with Flowers in a Glass
Medium Oil on copper Dimensions 24.5 X 19 cm (9.65 X 7.48 in) cyf
   
   
     

Jan Brueghel Velvet Brueghel oil painting


Velvet Brueghel
1568(1568) 13 January 1625 cyf
Painting ID::  73382
Jan Brueghel
Velvet Brueghel
1568(1568) 13 January 1625 cyf
   
   
     

Jan Brueghel Stillleben mit Blumengirlande oil painting


Stillleben mit Blumengirlande
17th century Oil on canvas cjr
Painting ID::  75219
Jan Brueghel
Stillleben mit Blumengirlande
17th century Oil on canvas cjr
   
   
     

Jan Brueghel Stillleben mit Blumengirlande oil painting


Stillleben mit Blumengirlande
17th century Medium Oil on canvas Dimensions ? ?? cm cyf
Painting ID::  77045
Jan Brueghel
Stillleben mit Blumengirlande
17th century Medium Oil on canvas Dimensions ? ?? cm cyf
   
   
     

Jan Brueghel The Original Sin oil painting


The Original Sin
1616(1616) Oil on wood Height: 52 cm (20.5 in). Width: 83.5 cm (32.9 in). cjr
Painting ID::  79660
Jan Brueghel
The Original Sin
1616(1616) Oil on wood Height: 52 cm (20.5 in). Width: 83.5 cm (32.9 in). cjr
   
   
     

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     Jan Brueghel
     1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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