Jan van Hemessen
(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.

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Jan van Hemessen Merry Company oil painting


Merry Company
Date c. 1540(1540) Medium Oil on oak panel Dimensions Height: 29 cm (11.4 in). Width: 45 cm (17.7 in). cjr
Painting ID::  85158
Jan van Hemessen
Merry Company
Date c. 1540(1540) Medium Oil on oak panel Dimensions Height: 29 cm (11.4 in). Width: 45 cm (17.7 in). cjr
   
   
     

Jan van Hemessen The Surgeon oil painting


The Surgeon
Date c. 1555(1555) Medium Oil on wood Dimensions Height: 100 cm (39.4 in). Width: 141 cm (55.5 in). cjr
Painting ID::  86514
Jan van Hemessen
The Surgeon
Date c. 1555(1555) Medium Oil on wood Dimensions Height: 100 cm (39.4 in). Width: 141 cm (55.5 in). cjr
   
   
     

Jan van Hemessen St Jerome oil painting


St Jerome
Date 1548(1548) Medium Oil on oak panel Dimensions Height: 85 cm (33.5 in). Width: 69 cm (27.2 in). cjr
Painting ID::  86652
Jan van Hemessen
St Jerome
Date 1548(1548) Medium Oil on oak panel Dimensions Height: 85 cm (33.5 in). Width: 69 cm (27.2 in). cjr
   
   
     

Jan van Hemessen Tobias Restores his Father's Sight oil painting


Tobias Restores his Father's Sight
1555(1555) Medium oil on wood cyf
Painting ID::  89124
Jan van Hemessen
Tobias Restores his Father's Sight
1555(1555) Medium oil on wood cyf
   
   
     

Jan van Hemessen Isaac Blessing Jacob oil painting


Isaac Blessing Jacob
first half of 16th century Medium oil on wood cyf
Painting ID::  89125
Jan van Hemessen
Isaac Blessing Jacob
first half of 16th century Medium oil on wood cyf
   
   
     

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     Jan van Hemessen
     (c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.

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