Jean-Baptiste-Camille Corot
was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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Jean-Baptiste-Camille Corot Agostina, die Italienerin oil painting


Agostina, die Italienerin
138,8 ?? 95 cm
Painting ID::  68461
Jean-Baptiste-Camille Corot
Agostina, die Italienerin
138,8 ?? 95 cm
   
   
     

Jean-Baptiste-Camille Corot Lesende Frau oil painting


Lesende Frau
1869(1869) or 1870(1870) Oil on canvas 54.3 ?? 37.5 cm (21.38 ?? 14.76 in)
Painting ID::  68495
Jean-Baptiste-Camille Corot
Lesende Frau
1869(1869) or 1870(1870) Oil on canvas 54.3 ?? 37.5 cm (21.38 ?? 14.76 in)
   
   
     

Jean-Baptiste-Camille Corot The Stonecutters oil painting


The Stonecutters
oil on canvas painting by Jean-Baptiste-Camille Corot
Painting ID::  69536
Jean-Baptiste-Camille Corot
The Stonecutters
oil on canvas painting by Jean-Baptiste-Camille Corot
   
   
     

Jean-Baptiste-Camille Corot Orpheus Lamenting Eurydice oil painting


Orpheus Lamenting Eurydice
oil on canvas painting by Jean-Baptiste-Camille Corot
Painting ID::  69552
Jean-Baptiste-Camille Corot
Orpheus Lamenting Eurydice
oil on canvas painting by Jean-Baptiste-Camille Corot
   
   
     

Jean-Baptiste-Camille Corot Lesendes Madchen in rotem Trikot oil painting


Lesendes Madchen in rotem Trikot
Medium Oil on canvas
Painting ID::  70724
Jean-Baptiste-Camille Corot
Lesendes Madchen in rotem Trikot
Medium Oil on canvas
   
   
     

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     Jean-Baptiste-Camille Corot
     was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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