Johann Heinrich Fuseli
1741-1825 Romanticism Swiss
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Johann Heinrich Fuseli Silence oil painting


Silence
1799-1801 Oil on canvas, 63,5 x 51,5 cm
Painting ID::  52492 		Johann Heinrich Fuseli
Silence
1799-1801 Oil on canvas, 63,5 x 51,5 cm
   
   
     
Johann Heinrich Fuseli Lady Macbeth with the Daggers oil painting


Lady Macbeth with the Daggers
1812 Oil on canvas, 101,6 x 127 cm
Painting ID::  52497 		Johann Heinrich Fuseli
Lady Macbeth with the Daggers
1812 Oil on canvas, 101,6 x 127 cm
   
   
     
Johann Heinrich Fuseli The Artist Moved by the Grandeur of Antique Fragments oil painting


The Artist Moved by the Grandeur of Antique Fragments
1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
Painting ID::  62501 		Johann Heinrich Fuseli
The Artist Moved by the Grandeur of Antique Fragments
1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
   
   
     
Johann Heinrich Fuseli Brunhilde Observing Gunther oil painting


Brunhilde Observing Gunther
Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
Painting ID::  62502 		Johann Heinrich Fuseli
Brunhilde Observing Gunther
Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
   
   
     
Johann Heinrich Fuseli Portrait of a Young Woman oil painting


Portrait of a Young Woman
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
Painting ID::  62845 		Johann Heinrich Fuseli
Portrait of a Young Woman
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
   
   
     
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