John Henry Twachtman
American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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John Henry Twachtman Old Holley House, Cos Cob oil painting


Old Holley House, Cos Cob
Date 1901(1901) Medium oil on canvas TTD
Painting ID::  93928
John Henry Twachtman
Old Holley House, Cos Cob
Date 1901(1901) Medium oil on canvas TTD
   
   
     

John Henry Twachtman Die weiBe BrUcke oil painting


Die weiBe BrUcke
Date 1875-1890 Medium oil on canvas Dimensions 77 x 51,5 cm TTD
Painting ID::  93930
John Henry Twachtman
Die weiBe BrUcke
Date 1875-1890 Medium oil on canvas Dimensions 77 x 51,5 cm TTD
   
   
     

John Henry Twachtman Landscape Branchville oil painting


Landscape Branchville
1888 Type Oil on canvas Dimensions 152.4 cm x 203.2 cm cyf
Painting ID::  95132
John Henry Twachtman
Landscape Branchville
1888 Type Oil on canvas Dimensions 152.4 cm x 203.2 cm cyf
   
   
     

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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