John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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John William Waterhouse Pandora oil painting


Pandora
Pandora 1896
Painting ID::  61568
John William Waterhouse
Pandora
Pandora 1896
   
   
     

John William Waterhouse Juliet oil painting


Juliet
Juliet 1898
Painting ID::  61569
John William Waterhouse
Juliet
Juliet 1898
   
   
     

John William Waterhouse The Siren oil painting


The Siren
The Siren circa 1900
Painting ID::  61570
John William Waterhouse
The Siren
The Siren circa 1900
   
   
     

John William Waterhouse Destiny oil painting


Destiny
Destiny 1900
Painting ID::  61571
John William Waterhouse
Destiny
Destiny 1900
   
   
     

John William Waterhouse The Lady Clare oil painting


The Lady Clare
The Lady Clare 1900
Painting ID::  61572
John William Waterhouse
The Lady Clare
The Lady Clare 1900
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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