Juan Martin Cabezalero
1633-1673 was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.
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Juan Martin Cabezalero Assumption ofthe Virgin oil painting


Assumption ofthe Virgin
mk84 ca.165-70 Madrid,Prado,canvas 237x169cm
Painting ID::  32940 		Juan Martin Cabezalero
Assumption ofthe Virgin
mk84 ca.165-70 Madrid,Prado,canvas 237x169cm
   
   
     
Juan Martin Cabezalero Portrait of Queen Mariana de Austria oil painting


Portrait of Queen Mariana de Austria
1678 Oil on canvas, 206 x 123,5 cm
Painting ID::  52624 		Juan Martin Cabezalero
Portrait of Queen Mariana de Austria
1678 Oil on canvas, 206 x 123,5 cm
   
   
     
Juan Martin Cabezalero St James the Great in the Battle of Clavijo oil painting


St James the Great in the Battle of Clavijo
1660 Oil on canvas, 231 x 168 cm
Painting ID::  52626 		Juan Martin Cabezalero
St James the Great in the Battle of Clavijo
1660 Oil on canvas, 231 x 168 cm
   
   
     
Juan Martin Cabezalero Assumption of the Virgin oil painting


Assumption of the Virgin
237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources
Painting ID::  62360 		Juan Martin Cabezalero
Assumption of the Virgin
237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources
   
   
     
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     Juan Martin Cabezalero
     1633-1673 was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.

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