Karl Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.

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Karl Briullov Portrait of the Princess Olga Ivanovna Orlova-Davydova with her daughter Natalya Vladimirovna oil painting


Portrait of the Princess Olga Ivanovna Orlova-Davydova with her daughter Natalya Vladimirovna
Portrait of the Princess Olga Ivanovna Orlova-Davydova with her daughter Natalya Vladimirovna 1834 cjr
Painting ID::  75506
Karl Briullov
Portrait of the Princess Olga Ivanovna Orlova-Davydova with her daughter Natalya Vladimirovna
Portrait of the Princess Olga Ivanovna Orlova-Davydova with her daughter Natalya Vladimirovna 1834 cjr
   
   
     

Karl Briullov Portrait of Mariya Arkadyevna Bek with her Daughter oil painting


Portrait of Mariya Arkadyevna Bek with her Daughter
1839(1839) Oil cjr
Painting ID::  75914
Karl Briullov
Portrait of Mariya Arkadyevna Bek with her Daughter
1839(1839) Oil cjr
   
   
     

Karl Briullov Portrait of the Princess Olga Ivanovna Orlova-Davydova with her daughter Natalya Vladimirovna oil painting


Portrait of the Princess Olga Ivanovna Orlova-Davydova with her daughter Natalya Vladimirovna
1834 Date 1834(1834) Medium Oil cyf
Painting ID::  77390
Karl Briullov
Portrait of the Princess Olga Ivanovna Orlova-Davydova with her daughter Natalya Vladimirovna
1834 Date 1834(1834) Medium Oil cyf
   
   
     

Karl Briullov Portrait of Mariya Arkadyevna Bek with her Daughter oil painting


Portrait of Mariya Arkadyevna Bek with her Daughter
Date 1839(1839) Medium Oil cyf
Painting ID::  77712
Karl Briullov
Portrait of Mariya Arkadyevna Bek with her Daughter
Date 1839(1839) Medium Oil cyf
   
   
     

Karl Briullov Portrait of princess Mariya Volkonskaya oil painting


Portrait of princess Mariya Volkonskaya
Portrait of princess Mariya Volkonskaya (1805-1863) by Russian painter Karl Briullov (1799-1852) Date 1842(1842) cyf
Painting ID::  79283
Karl Briullov
Portrait of princess Mariya Volkonskaya
Portrait of princess Mariya Volkonskaya (1805-1863) by Russian painter Karl Briullov (1799-1852) Date 1842(1842) cyf
   
   
     

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     Karl Briullov
     Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.

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