Kazimir Malevich
1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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Kazimir Malevich head of a peasant oil painting


head of a peasant
1928-32 oil on canvas 63.5x51 se
Painting ID::  68760
Kazimir Malevich
head of a peasant
1928-32 oil on canvas 63.5x51 se
   
   
     

Kazimir Malevich black square oil painting


black square
late 1920 oil on canvas 106x106 se
Painting ID::  68761
Kazimir Malevich
black square
late 1920 oil on canvas 106x106 se
   
   
     

Kazimir Malevich composition oil painting


composition
1928-32 oil 40x56 se
Painting ID::  68762
Kazimir Malevich
composition
1928-32 oil 40x56 se
   
   
     

Kazimir Malevich formula of suprematism oil painting


formula of suprematism
after 1920 watercolour, gouache and graphite pencil on paper 36x54 se
Painting ID::  68763
Kazimir Malevich
formula of suprematism
after 1920 watercolour, gouache and graphite pencil on paper 36x54 se
   
   
     

Kazimir Malevich peasant woman oil painting


peasant woman
1930 oil on canvas 98.5x80 se
Painting ID::  68764
Kazimir Malevich
peasant woman
1930 oil on canvas 98.5x80 se
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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