LIPPI, Filippino
Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
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LIPPI, Filippino St Paul Visits St Peter in Prison dh oil painting


St Paul Visits St Peter in Prison dh
1481-82 Fresco, 230 x 88 cm Cappella Brancacci, Santa Maria del Carmine, Florence
Painting ID::  7963 		LIPPI, Filippino
St Paul Visits St Peter in Prison dh
1481-82 Fresco, 230 x 88 cm Cappella Brancacci, Santa Maria del Carmine, Florence
   
   
     
LIPPI, Filippino Gabriel from the Annunciation oil painting


Gabriel from the Annunciation
1483-84 Wood, diameter 110 cm
Painting ID::  44436 		LIPPI, Filippino
Gabriel from the Annunciation
1483-84 Wood, diameter 110 cm
   
   
     
LIPPI, Filippino St Philip Driving the Dragon from the Temple of Hieropolis oil painting


St Philip Driving the Dragon from the Temple of Hieropolis
1502
Painting ID::  44461 		LIPPI, Filippino
St Philip Driving the Dragon from the Temple of Hieropolis
1502
   
   
     
LIPPI, Filippino Triumph of St Thomas Aquinas over the Heretics oil painting


Triumph of St Thomas Aquinas over the Heretics
1489-91
Painting ID::  44462 		LIPPI, Filippino
Triumph of St Thomas Aquinas over the Heretics
1489-91
   
   
     
LIPPI, Filippino The Annunciation oil painting


The Annunciation
mk223 Oil on canvas
Painting ID::  52720 		LIPPI, Filippino
The Annunciation
mk223 Oil on canvas
   
   
     
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     LIPPI, Filippino
     Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.

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